"Who's your favorite female superhero?
- Special agent Clarice Starling"
- email exchange between Steven 'Fly' Pratt and Robert Anton Wilson, FOTTOTT
"And you various tribes that fly with the halcyon
Over the rolling boom of the ocean
Come quickly and listen to what's going on,
Here we are mustering in all our variety
Of long-necked birds;
For here there has come a venerable sage
Full of ideas
Full of new ways."
- Aristophanes, The Birds (translated by Paul Roche)
Near the beginning of his introduction to the Gurdjieffian universe, Making A New World, J.G. Bennett makes the point that Gurdjieff deliberately started many 'lines of work', many different projects and ideas without finishing them. Bennett argues that rather than indicating a failure to carry projects through to completion, Gurdjieff deliberately set up several courses of work for his students to pick up and continue.
“Language is fossil poetry. As the limestone of the continent consists of infinite masses of the shells of animalcules, so language is made up of images, or tropes, which now, in their secondary use, have long ceased to remind us of their poetic origin.”
Robert Anton Wilson planted several semantic sprouts and seeds and left the ever evolving Tale of the Tribe meta-history (and her story) project to his spiritual progeny to bring into bloomin' fruition. The Tale of the Tribe
was an ambitious book Robert Anton Wilson had planned to write. He indicated what it would cover in a short synopsis at the end of his penultimate book, TSOG, The Thing that Ate the Constitution
. The Tale of the Tribe
was also the name of an 8 week online course presented by the Maybe Logic Academy and guided by Wilson in 2005.
The book Fly On The Tale of the Tribe (FOTTOTT)
- A Roller Coaster Ride with Robert Anton Wilson
recounts the autobiographical odyssey of Steven 'Fly' Pratt side by side with his constantly changing, multiple visions of the Tale of the Tribe. One can see it as a treatise ebbing and flowing, weaving and winding its way like a river through the canyons of postmodern thinkers and their transformational experimentation; a nonlinear narrative that can sometimes appear as holographic as the writing he is describing as holographic, mostly Finnegans Wake
by James Joyce.
This book is also one of the rare (so far), and invaluable primer books for the writings, philosophies and methods of Robert Anton Wilson. For that alone, I highly recommend it, but there is much else too. We get a cast of philosophical and scientific heavyweights and a synopsis of some their prime ideas and practical contributions to human development - the Tale of the Tribe. Among others, we hear from Nietzsche, Alan Moore, Claude Shannon, Giodorno Bruno, Giambattista Vico, Buckminster Fuller, Wilhelm Reich, Korzybski, John Lilly, Tim Leary, Ernest Fenellosa, Jung, Yeats, Aleister Crowley, Marshall McLuhan, Orson Welles, Paul Krassner, John Sinclair, and of course, the Tale of the Tribe's first two stars, James Joyce and Ezra Pound.
Sombunall of the subjects include:
What is the Tale of the Tribe? and its corollary, what do we do with it?
What is art? We are all artists.
Eprime and certainty; the effects of language on consciousness.
King Kong, his sister Hong, and Guerilla Ontology.
James Joyce/RAW inspired geo-mapping APPS - I suspect this one brilliant idea alone would revolutionize the consciousness of whomever used them.
The contribution of Chinese ideograms to the Tribe.
Holometic Retribalism, a Fly neologism which seems a portmanteau of hologram and hermetic.
The influence of psychedelic drugs on the Tribe.
Quantum entanglement and spooky action at a distance.
is full of amazing quotes, the large percentage from Wilson, but many from other conspirators that serve to fill out and substantiate this vision of the Tribe. Perhaps my favorite parts are the email and interview transcripts between Fly and RAW and any personal exchanges they had as it presents new light on the venerable sage.
I'm very interested in this topic because the online TOTT course became one of the most significant teaching experiences of my life; extremely intense at times, it felt life-changing. I regret not archiving the entire course exercises and discussion when given the opportunity. So it was with some excitement to read that Fly included the course in the intro definition of TOTT . I always assumed that someone at the MLA would archive it, and still hope it exists elsewhere other than in a few carbon-based memory banks and the akashic records.
Effects I can remember the course having on me include a quantum leap in understanding and comprehending Finnegans Wake
that went a lot further than the information taken in by the group discussion. I read it in its entirety for only the second time after the course finished and thoroughly enjoyed it, taking copious notes along the way. The first read through felt like running a marathon through a thick swamp. I would get mildly high from reading the book like you would meditating, but it seemed like I understood about 3% or less of it. The TOTT also course introduced me to The Cantos
by Ezra Pound. It took a minute for that spark to catch, like almost the entire 8 week course, but it did flame and I also read The Cantos
all the way through and looked at some of the secondary literature after the course. I remember subjecting some of my mixing clients to recitations of inspiring passages.
At the time of this course my writing was limited to posting in these online courses and on the MLA Forum. I remember something happening in the course that caused me to resolve to always write and get my point across as simply and directly as possible. I learned about "fossil poems." The concept originates with Ralph Waldo Emerson in this quote:
RAW expanded and put this into practice by suggesting listening to short phrases from any source, he used the example of CNN, and hearing them as fossil poems rather than in their ordinary context. Short phrases, even with only a couple of words, that can poetically imply much more. I don't recall any of his examples, but to take what normally passes as mundane and hear it as poetry seems enlightened. The first one I submitted was from the Rolling Stones: "Jumping Jack Flash is a gas, gas, gas,
" which reminds me of sexual alchemy.
It was in this course that a sequence of events arose which led to my verification that baraka can get transmitted through the internet. In Cosmic Trigger,
this gets called a contact experience. I posted a blog about it.
One thing I look for: are there actual real world changes being made as a product or byproduct of engagement with The Tale of the Tribe
? Is it doing anything? The answer is absolutely yes! and I can give a direct example I just discovered a few days ago as this post gestated in my brain. The Tale of the Tribe
course occurred in the autumn of 2005 shortly after Hurricane Katrina. In one very intriguing post RAW initiated with a headline that began: "Housing ...," he suggested they use Bucky Fullers mobile, portable housing structures to provide temporary housing for people displaced by the hurricane. At the time I thought this a brilliant notion, but also rather cynically expecting that it probably wouldn't happen. A couple of days ago Raw Illumination had a post
linking to Alec Nevala-Lee's announcement about writing a biography on Buckminster Fuller. It mentions that emergency shelters influenced by Fuller's designs were indeed used in the aftermath of Katrina.
compares favorably with Cosmic Trigger
. It pulls a few triggers of its own.
Very few people can attest to the extraordinary nature of Wilson's TOTT course, by the end of it there were only about a dozen or less active participants and it seems that at least 40 people had initially signed up. Fly was one of the few that saw the whole thing through and the one who has most explicitly launched the Wilson inspired Tales trajectory forward starting with multiple collage-like posts in the MLA Forum, that. much like this book, in the spirit of Ezra Pound, James Joyce and others who have worked with this concept, examined and re-imagined The Tale of the Tribe
On p.38 we see the instruction: "That's the aim of the game folks. Build your own tribe."
This book introduced me to Slavoj Zizek for the first time. Zizek opens the door to French postmodern philosophy and psychology, especially the work of Jaques Lacan, also briefly discussed herein. Besides translating Jaques Derrida, perhaps the most prominent of the lot, Zizek has also ably contributed to the secondary literature of Gilles Deleuze and Felix Guattari. Guttari was also a student and therapeutic client of Lacan.
In the comments from a couple of the later weeks of the Email to the Universe
book discussion over at Rawillumination.net, I point to at least 4 or 5 instances of RAW obviously alluding to ideas from Deleuze and Guattari. RAW knew about these dudes, I strongly suspect. Deleuze in particular seems quantumly entangled with many other card-carrying members of the tribe. His interpretation of Nietzsche published in the early 60's is said to have revived interest in the philosopher eventually making him a sweetheart of the counter-culture. He writes about Orson Welles in his books on the cinema. Delueze also finds much inspiration in Burroughs, using and expanding his ideas as much as Wilson.
A good introduction to the world view of Deleuze & Guatarri is through their concept of the rhizome. The nonhierarchical, decentralized process of growth of a rhizome appears isomorphic with the development and proliferation of the Tale of the Tribe. Their essay on the rhizome
, initially published separately, later became incorporated as the introduction to A Thousand Plateaus
A primary characteristic of some of the more integral members of the Tribe involves their use of multiple meaning and multiple levels of meaning in the same word, phrase or sentence. They can seem very punny guys. James Joyce, who gets more air time in FOTTOTT
than anyone else apart from Wilson, leads in this area with Aleister Crowley not far behind. Most or all of Wilson's fictional writings appear rife with multiplicity of meaning. This characteristic receives further elucidation in a future post.
Deleuze & Guattari also communicate multiple meanings in simple and elaborate ways. For instance, the Rhizome
piece starts with an illustration of an avant garde fragment of musical notation. The header on this notation reads "XIV piano piece for David Tudor 4."
Deleuze & Guattari comprise two doors (Tudor) into multiple, philosophical, postmodern concepts and scenarios. Multi-level writers tend to be qabalistically fluent. This appears true with D & G. In the example given, XIV, 14 = the key number for the path of Daleth which connects Chokmah and Binah and gets associated with Venus. 4 = the numerical value of the letter Daleth and Daleth in English = door.
A theme that cycles around in FOTTOTT
from Nietszche via Cosmic Trigger
: we are all greater artists than we realize. In an essay on Michel Foucault, Deleuze wrote:
"It’s a question of 'doubling’ the play of forces, of a self-relation that allows us to resist, to elude power, to turn life or death against power. This, according to Foucault, is something the Greeks invented…it’s a matter of optional rules that make existence a work of art, rules at once ethical and aesthetic that constitute ways of existing or styles of life . It’s what Nietzsche discovered as the will to power operating artistically, inventing ‘new possibilities of life."
One of my favorite quotes from Fly's book:
Thus relativity, in the hands of James Joyce, is translated from the realm of mathematics and operationalist volumes of philosophy into a living laboratory, a living zoo or circus where no single word can define meaning concretely, yet a string of them together can cast a powerful message to the reader.
My question becomes: what grows? If we indeed find ourselves in a living laboratory, and I agree we do, how do we describe what grows? The attempt to define this may benefit the process. We'll put this under the microscope, or the telescope, in the next installment here regarding The Tale of the Tribe