This amazing project follows the hallowed footsteps of no less a musical icon than John Cage who composed Roarotorio, an Irish circus on Finngeans Wake. I intend to participate though my submission will be for next year's edition.
I plugged in the word "music" to a Finnegans Wake concordance and this was the first entry, from page 48:
a choir of the O'Daley O'Doyles doublesixing
the chorus in Fenn Mac Call and the Seven Feeries of Loch Neach
Galloper Troller and Hurleyquinn the zitherer of the past with his
merrymen all, zimzim, zimzim. Of the persins sin this Eyrawyg-
gla saga (which thorough readable to int from and, is from tubb
to bottom all falsetissues, antilibellous and nonactionable and this
apllies to its whole wholume) of poor Osti-Fosti, described as
quite a musical genius in a small way and the owner of an
exceedingly niced ear, with tenorist voice to match, not alone,
but a very major poet of the poorly meritary order (he began
Tuonisonian but worked his passage up as far as the we-all-
hang-together Animandovites) no end is known.
Here is the official press release about the project:
A diverse cast of musicians, readers, and artists are creating what may be the year's most innovative musical-literary project: James Joyce’s Finnegans Wake set to music.
An ongoing project with over 100 contributors from 15 different countries, Waywords and Meansigns features original music and readings from punk rock icon Mike Watt, Mercury Rev veterans Jason Sebastian Russo and Paul Dillon, Joe Cassidy of Butterfly Child, psych-rockers Kinski, vocalist Phil Minton, poet S.A. Griffin, Martyn Bates of Eyeless in Gaza, Little Sparta with Sally Timms (Mekons) and Martin Billheimer, composer Seán Mac Erlaine, Schneider TM, and many more.
“James Joyce basically invented his own language when writing Finnegans Wake,” explains project director Derek Pyle. “It's the kind of thing that demands creative approaches — from jazz and punk musicians to sound artists and modern composers, each person hears and performs the text in a way that’s totally unique and endlessly exciting.”
With the 2017 release debuting on May 4, Waywords and Meansigns utilizes their independent digital platform to make Joyce’s text more accessible to 21st century audiences. Waywords and Meansigns also aims to release future musical recordings of Finnegans Wake on an ongoing basis — interested individuals are encouraged to contact project director Derek Pyle. All audio from the project is distributed freely under Creative Commons licensing at www.waywordsandmeansigns.com.